IMPORTANT CIRCUS LITERATURE
HUGHES, Charles. The Compleat Horseman, or, the Art of Riding Made Easy. London: Printed for F. Newbery, [1772]. Old marbled boards (rather worn), rebacked with modern smooth calf, gilt-stamped red spine label. Two engraved plates depicting the riding school and Mr. and Mrs. Hughes on horseback (one separating at gutter), nine woodcuts on five leaves at the end (rectos only). 12mo. Some toning, spots, and stains. Toole Stott Circus 2054.
At one time a colleague of Philip Astley, Hughes formed his own riding school at about the time this manual was first published, not far from Astley’s amphitheater, imitating the performances of his former colleague. Interestingly, this work was published years before Astley’s larger and more famous work on the training of horses first appeared. Hughes’ book includes charming woodcuts showing the various tricks he could perform on horseback, including headstands, somersaults, and other gymnastic stunts. In 1782 Hughes erected an elegant structure in London, reportedly the first amphitheater to be bear the title of “circus.”